Ancient lies in history

7/29/2019 Ancient lies in history

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The ancient Egyptians (in Africa) and the ancient pre-Incas/Incas (inSouth America) evolved on opposite sides of the globe and were never incontact; yet both cultures mysteriously possessed the same strikinglyidentical body of ancient art, architecture, symbolism, mythology andreligion. The Victorian-era scholars, faced with this enigma, concludedthat both cultures must have been children of the same Golden Age parentcivilization, Atlantis. Today, Egyptian/Inca parallels are not only beingignored by American and Western scholars, theyre being suppressed.

Many baffling and unsolved similarities link the ancient Egyptians and theancient pre-Incas/Incaseven though both cultures evolved on oppositesides of the planet, separated by oceans.


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Victorian-era scholars, faced with this enigma, believed both culturesinherited the same high wisdom from the same exceedingly older sourceashared parent civilization now lost to history. For the Victorians thiscommon parent hypothesis explained the parallels well. These Victorianscholars called this common parent Atlantis, following Plato and theClassical historians.Today, establishment scholars reject Atlantis, with peculiar hostility,

while the parallels shared by the ancient pre-Incas/Incas and the ancientEgyptians are ignored.

Yet these same parallels were notignored by the Victorians. Indeed, themost brilliant scholarly minds of the past believed Atlantis was realandheres why:SpacePyramids

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuilt stone

pyramids and stepped pyramids in the desert along rivers and aligned withcardinal points. In both cases, deceased were interred within.spaceMummies


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BOTH THE EGYPTIANS AND INCAS / PRE-INCASMummified theirdead, which symbolized life beyond death. Mummies were interred insidepyramids, often with food offerings and personal belongings. Both cultures

believed in life beyond death.spaceMummies With Crossed Arm


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BOTH THE EGYPTIANS AND INCAS / PRE-INCASCrossed the arms oftheir mummified dead. This was to show the balance state that oneentered in death, as one lived a balanced life. The two arms denoteopposites in balance, a left side and a right side crossed.spaceGold Funeral Masks


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BOTH THE EGYPTIANS AND INCAS / PRE-INCASPlaced gold masksupon their dead, symbolizing their entering back into eternity, the other

side of the veil, the higher home in the heavens, which is eternal andspiritual, unlike earth, which is temporary and physical. It also conveys inan alchemical sense the idea that, while they were here, these eternal soulstook on the lead of human form and turned it into gold.space

Antithetical Animal Necklaces

BOTH THE EGYPTIANS AND INCAS / PRE-INCASAdorned their deadwith gold necklaces the ends of which are formed by twin animal heads

facing outward, symbolizing our human/animal powers balanced and in anequal peaceful state and place of power and eternity. This balance state ishow the alchemical transformation is achieved, hence the gold.spaceSimilar Stonemasonry


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BOTH THE EGYPTIANS AND INCAS / PRE-INCASbuilt very similarlooking stonemasonry, even down to the detail of carving bulges orbumps in the stones (see detail). What is the rhyme, riddle and reasonhere? How can this be explained?spacePrecision Stonework

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCAScreatedprecision-like stone cuts in their masonry, such that a piece of paper can

barely fit between stones. Often no mortar was used. This symbolizes thequest to gain perfection, or nearness to perfection, which leads one closer toour spiritual and heavenly home and eternal source.space


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Trapezoidal Doorways

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuilttrapezoid doorways, signifying spiritual advancement upward. The

trapezoid is similar to a triangle, which denotes ascension and spiritualtranscendence. The trapezoid doorway is used by many ancient cultures. Itrelates a kind of futuristic state of humanity that occurred in the distantpast, when people were calm and had attained nirvana; this doorway is thesymbol of the high wisdom once possessed by our ancient ancestors.


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdesignedtwin symmetrical serpents above the trapezoidal doorway entrance to theirtemples. The idea of balancing the opposing energies is certainly presentedhere, via these twin animals in symmetrical balanced poses. This balancedopposites image seems to be the ideal that is taught within the build ingthat is entered through these doors.spaceElongated Skulls


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASelongatedthe skulls of their children to sharpen senses and improve spiritual insight.

This seemingly-bizarre practice has not truly raised the eyebrows ofmodern scholars, not nearly as much as it should.spaceObelisks (With Hieroglyphics)


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuilt anderected sacred obelisks as devices of profound male power, fertility, birth,longevity, strength. Great reverence was given to obelisks; they were amongthe most revered landmarks.spaceEarthquake-Proof Temples (With Picture Writing)


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuiltearthquake-proof buildings by using the same inward slant design, whichhas withstood the test of time.spaceSolar Religion


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASused solarsymbolism as a definitive part of their religion, which was identical. InEgypt the solar deity was Ra, in Peru the solar deity was Inti. In bothcultures, you are the solar deity; the sun is a symbol of you, of your soul.

You are a sol. You are an eternal divine sun. You have voluntarilyIncarnated in matter, but now have amnesia of your true spiritual Self,

youve lost your way home.spaceParallel Solar Symbolism


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASusedanimal deities in symmetrical poses flanking a central solar emblem. Justas the sun strikes a perfect balance between Winter and Summer, theextreme Cold and extreme Hot seasonsso it is vital for our own inner suns(the sun symbolizes our eternal soul or Self) to balance our own positiveand negative twin animal energies, urges, instincts, appetites, etc. in orderto stay in balance and in harmony with nature.space

Animal On Forehead

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASused theanimal on the forehead motif to evoke the power of the Third Eye. Bothcultures understood that we can create a trancelike state where weawaken our so-called Minds Eye, Inner Eye, or Third Eye, a symbolof spiritual illumination thought of as existing near the forehead above and

between the two eyesexactly where the animal is placed in the imageabove.spaceCross Symbol (Chakana / Ankh)


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASused thestepped design motif, which symbolizes the gradual ascent the initiatemakes on his / her journey from lower man to ascended human being.Rome wasnt built in a day; you dont find your Christ within or yourBuddha within in one day. Ascension takes time and effort.spaceTriptych Three-Door Temples (Indicates Same Religion)

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuilt thesame identical Triptych temples. The Triptych design is a worldwide


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architectural phenomenon that graces the facades of temples, and thatsymbolizes the same Universal Religion practiced all over the ancient

world. The religion is based on the same balance of opposites formuladescribed above. The twin outer doors symbolize opposites (the left-side /right-side of our lower temporary self) while the middle door symbolizesthe central point of eternity (the centered higher eternal Self). TriptychTemples were later inherited by the Gothic cathedral builders, theFreemasons.LEARN MORE HERE.spaceMetal Clasps

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCAScarvedstones that were tightly bound and fitted together with the use of metal

clasps. What are the chances that this technique evolved, after millions ofyears of human evolution, in the same exact spec of time (give or take 1,000years) on opposite sides of the globe?spaceStaff God Icon
http://www.deepertruth.com/http://www.deepertruth.com/http://www.deepertruth.com/http://www.deepertruth.com/


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASreveredthe Staff God Icon, which is nothing less than the lost crucifix of theancient Universal Religion described above. Not yet documented byscholars, the Staff God Icon is found everywhere around the ancient world;it symbolizes the perfected human being.LEARN MORE IN THISBOOK.spaceInward Slanting (Earthquake Proof) Buildings

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuiltsimilar looking inward slanting tombs and temples.space

Anthropoid Coffins
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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdesignedanthropomorphic coffins for the deceased and designed those coffins tolook like the local god or hero who had defied death and who had lived totell about it. This is the example given for the masses to follow, for we allmust defy death (in the end) by looking for and finding true eternity within.spaceThird Eye Solar Circle On Forehead


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdepictedcircle shapes on the human forehead indicating where the Third Eye orCircle Eye goes:A cyclops in Greek mythology and later Roman mythology, was amember of a primordial race of giants, each with a single eye in themiddle of his forehead. The name is widely thought to mean circle-eyed.Wikipediaspace

Solar Image Associated With Circle Eye In Head

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdecoratedtheir Third Eye or Circle Eye with the imagery of the sun. The sun is an eyein the heavens; many ancient civilizations depicted the sun as an Eye, not

just the Egyptians and Incas.spaceSingle Eye Symbols


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdepictedsun eye symbols, both associating the sun with an eye and vice versa.Both cultures knew that the single Eye (the Minds Eye or Third Eye) seesthe inner sun (the inner soul).spaceMegalithic Architecture

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuilt their

most important temples using massive stones each weighing hundreds oftons.spaceReed Boats


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASbuilt

parallel reed boats.

spaceFloating Deities

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdepictedfloating deities.spacePhallic Symbols


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdepictedphallic symbols and associated these symbols with fertility.spaceSpirals


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdepictedspirals to symbolize our entrance / exit to / from the material /spiritual

worlds, which worlds encompass both sides of our eternal being.space

Elaborate Temples

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdesignedand built similar-looking temples.spaceSymmetrical Serpents Balancing

BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASusedsymmetry in much of their art, balancing left / right. Often used serpents insymmetrical poses.space

Master Craftsmanship


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASused verysimilar styles of stone-craftsmanship.

spaceSymmetrical Art


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdesignedsimilar-looking artwork, which focused on symmetry and esotericsymbolism.space

Aten Hieroglyph (Circle With Dot In Center)


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BOTH THE ANCIENT EGYPTIANS AND INCAS / PRE-INCASdepictedtheir solar deity as a circle with a dot in the middle, which was also asymbol of the Self in both cultures.

The Triptych Temples Of

Atlantis

Unprecedented New Archaeological Evidence That A Highly

Advanced Lost Civilization Flourished In A Remote Age

Older Than Recorded Time

Did the worlds first cultures inherit the same high wisdom from

the same more ancient but now-vanished Mother Culture?


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Above: No records exist of any contact between these civilizations. How, then, can we explain

parallels like pyramid construction, corbel arches, and mummification?

To the Victorians it seemed inconceivable that these similar societies could have evolvedseparately; it was more logical to think they all evolved from the same parent sourceAtlantis.

The Atlantis model of history stood unchallenged for decades. But it was suddenly abandoned in

the mid-20th century when a new wave of Western scholars declared that not enough evidenceexists to support it.

Now, the discovery of these parallel Triptych Temples offers groundbreaking new evidence

supporting the Atlantis theory.

These Triptych Temples have not only escaped the attention of modern scholars, but also the

attention of the great Victorian-era scholars who studied ancient cultural correspondences:


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Why and how do all these temples exhibit the same parallel architecture, as if constructed by

masons sharing a similar knowledge base? Do these Triptych temples indicate a shared

religion inherited from the same Mother Culture?

In fact, the Triptych is the forgotten Universal Religion of Antiquitythe legacy of the much

older Lost Civilization of Atlantis (seewww.DeeperTruth.com).

This Universal Religion of the Triptych was contained and kept alive in what modern scholars

call the ancient Mystery Schools. Held in the highest secrecy and reverence, the teachings ofthe Mystery Schools were said to contain the secrets of the universe and the keys to great and

magical practices.

Members of the Mystery Schools were endowed with extraordinary insight and superhuman

qualities and abilities. Forefathers of modern western thoughtHomer, Pythagoras, Socrates,

Plato, and Aristotlewere initiates of the Mysteries, who changed history with their

philosophies and advanced knowledge.

With the dawn of Christianity came a period of great change. In a quest to gain authority over the

masses, the Church began to root out all traces of the wisdom of the Mystery Schools. Even

Platos famous Academy, which flourished for over 900 years from 387 BC until 529 AD, wasclosed down by Emperor Justinian, who claimed the Academy was Pagan. As a result, students

of the Mystery Schools went into hiding. To safeguard the wisdom, they shrouded their ancientsecrets in allegories and symbols and placed it all under the guardianship of various streams of

esoteric societies, the members of which have included Galileo, Copernicus, Da Vinci, Kepler,Isaac Newton, and Napoleon.

The ancient knowledge waned a little more with each successive retelling, and as Christianity

grew to empire status, the teachings began to die out. Ancient Triptych temples fell into ruin asdid the wisdom they once preserved. It appeared that many, if not all, connections to the original

source were severed or so diluted that the true Mysteries were about to become lost.

It was during this era that a powerful secret society called the Masonic Fraternitythe

Freemasonsstepped onto the stage of history and began what would become their triumphant

quest to keep the details of the Mystery School teachings alive, and pass the torch on to a new

generation.

Commissioned by the Church to build Europes Gothic cathedrals, the Freemasons secretlyencoded the Triptychs wisdom into the facades of churches, castles, cathedrals, stone

landmarks, reliefs, monuments, and statues, where it remains concealed today.

This partly explains why countless medieval Gothic cathedrals built by the Freemasons all share

the same master blueprinta mystifying Cathedral Code of sorts, which is yet to bediscovered, analyzed, or explained by modern scholars:
http://www.deepertruth.com/http://www.deepertruth.com/http://www.deepertruth.com/http://www.deepertruth.com/


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Above: Gothic cathedrals with Triptych entrances.

In fact, all the great Secret Societies (before they were taken over in modern times and co-opted

for nefarious purposes, which many are being used for today) once shared the same UniversalReligion of the Triptych; hence the universality of the Triptych entrance.

Above: Secret Society headquarters with Triptych entrances.


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Written In Stonetakes you on a journey through historys earliest and greatest civilizations toshow you the presence of the Triptychan undocumented and mysterious ancient cultural

correspondence. The book highlights how different peoples in different times and places

understood and practiced the same Universal Religion / Sacred Science which they all

symbolized by the same Triptych three-door entry.

It also shows how historys operative Freemasons fully understood the ancient legacy of theTriptych, and secretly incorporated its design into the entryways of churches, castles, cathedrals

and other sacred structures.

This quest for lost wisdom will carry you across the Nile in Egypt, to the ancient lands of Persia

and China, into remote regions of India and Southeast Asia, high up the Andes Mountains, and

deep into Mesoamericas thick jungles to discover and decipher ancient architecture and gain

true insight into the ruins of the worlds most magnificent ancient empires.

Well see how the Renaissance itself was nothing short of a rebirth of the Universal Religion /Sacred Science in Europe, and a rediscovery of ancient Triptych wisdom:

Above: The real-life Da Vinci Code is the ancient Triptych behind Christ! Leonardo da

Vinci encoded the Triptych and its esoteric meaning in The Last Supper, a fact still not

recognized by scholars.

Well also see how the Masonic Fraternity is no longer a true repository of the Triptych /Universal Religion / Sacred Science wisdom, having lost its original purpose, but does still hold

the lost wisdom in its symbolism, ceremony, and ritual.

As a result, few Freemasons and even fewer Westerners know of the existence of the Triptych /

Sacred Science; it is an enlightening and empowering tradition that enables humans to excel and

reach seemingly superhuman levels of accomplishment. Its no coincidence that Freemasonry


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has included many famous and world-changing men, including Washington, Benjamin Franklin,

Voltaire, and Mozart.

Join the Written In Stone newsletter and stay connected with videos, reports, web blogs, and

updated information about the book.

Written In Stone has the makings of an intellectual revolution, but it tells us something more. As

we recover the truth about prehistory, we will slowly become awakened to our own hiddenpotentialfor its precepts are as applicable in our own lives today as they were in the lives of

our ancestors thousands of years ago.

Richard Cassaro

Ancient lies in history

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