Adam Hanson Portfolio

Industry Night, or IN2010, is Columbia College Chicago’sannual networking event for graduating students.IN2010 is broken up into several nights to highlight andgive focus to several different fields.

Industry Night 2010

CREATIVE STATION MAY 13 MEDIA ARTS MAY 12

PERFORMANCE SALON MAY 11+13 FASHION NATION MAY 12 MEDIA ARTS MAY 12

CREATIVE STATION MAY 13 ART EXPO MAY 14

The goal of the rebranding is to create a consistent look throughout stores that is easy to follow and maintain. As well as help develop Jewel’s brand image as “affordable” not “cheap”.

Jewel

Josh WhiteManager

3531 N Broadway StChicago, IL 60657

309.624.1220, ex. 2

[email protected]

Josh White

3531 N Broadway StChicago, IL 60657

Josh WhiteManager

3531 N Broadway StChicago, IL 60657

309.624.1220, ex. 2

[email protected]

A new identity and visibility campaign geared toward creating a more inviting image to attract new custom -ers that still maintains a level of dependability and trust. The rebranded logo also is easily modified for national expansion.

Northstar

Branding identity for Ginette Petty, a fashion marketing and management student.

Ginette Petty

F A S H I O N M A R K E T I N G & M A N A G E M E N T G P 3 3 1 0 @ G M A I L . C O M 3 0 9 . 2 3 8 . 0 4 4 6

3 4 6 0 N L I N C O L N A V E C H I C A G O , I L 6 0 6 5 7

Art & Literature magazine for Oklahoma State University.The magazine follows a modern Swiss layout that givesequal importance to each feature and consistencythroughout. The imagery impliments iconic photographyfrom the early 1900s with modern touches to give it anew perspective.

OK Review Magazine

OK Review Art & Literature

You must be under some misapprehension.The neutral tones must have fooled you into believingthis cubist abstract is appropriate foryour white leather sofa, your cream walls, your understatedminimalist elegance.

Perhaps you thought the rolling eye of the sundered horseenhanced the stare of your African tribal carvings.Perhaps you found the colors soothing, oradmired the sharp geometry of carnage.It is a Picassoafter all;the name still counts for something.

Other eyes skid over your choice of decorlike ice cubes on the Saltillo tile, but all I can see areblood and fire raining down on your ivory couch.

To a Host Who Hung a Print of Picasso’s Guernica Over the SofaKaren Moon

University of Texas at San Antonio, Texas

Spring 2010, Issue 002 5

No, Susan, that’s the day Michael is robbed. He drives home from work—he works in tech support in that new place they built to the west of town—and all he is thinking about is a peanut butter and jelly sandwich. He told me that. He lives in those apartments over on Union and Hartford. No, those are the Highland apartments. I mean the Paladin. They aren’t very nice, but they are cheap. His apartment is on the second floor, all the way at the end.

So he walks up the steps, and as the bottom of his door becomes eye-level, he notices that the door is ajar. Everything’s quiet, so he doesn’t stop going up the stairs, but he does look down at the parking lot. Not a single car there, Susan. He goes inside and everything’s missing. I mean, he didn’t have a lot to begin with, he says. They didn’t take any of his normal stuff, like his dishes or toothbrushes or anything, but they made off with his television and microwave and all of his video games. What? Yeah, I guess he still plays video games. I don’t know. He’s in tech support—you know those computer nerd types.

You would want to know that. Fine. He’s got the glasses, obviously, but he’s my height and not fat at all. I’d say normal-looking, brown hair. Do

you remember Rodney, in high school? Like him, but with more muscle and less pimples. Actually, his skin is pretty clean. I’ll text you a picture later.

So, he looks around his apartment, trying to figure out everything that they took. He’s making his sandwich while he’s doing this. He doesn’t have a phone. Yeah. He uses the computer for everything, even talking to his parents and stuff. It’s really weird. Not even a cell phone. He says it’s easier to escape from everyone when you don’t have a phone. He’s making this list of all that they stole on one of those long yellow legal pads. I guess he has a pile of them that he keeps under his bed. He’s missing all of these really expensive things, even his computer. At first, he thinks he’s going to call the police with the list once he gets back to work, but then a glob of jelly just falls from his mouth and messes up the entire list. He’s looking down at it like the world has ended and then just stops caring.

I didn’t understand either, at first. But, he takes this big list globbed with grape jelly and just crumples it up. He tells me later that in crumpling up the paper he is saying goodbye to all of his stuff. His connection to the items he owned. He throws the wadded up paper into his kitchen trash and then

pulls out the big black garbage bag. Then he stands there looking at what’s left and sees that there’s nothing but trash. Everything else he has is just like books he’s already finished reading or papers he’s already written or just wire that no longer connects to anything. When he looks around his apartment all he sees is one giant junk drawer. And so, he just throws all that junk into the garbage bag.

He goes through each room, starting with the living room, and throws it all out. Every time he finishes filling a bag, he walks outside and tosses it into the dumpster. By this point, he’s forgotten about work and just gets another bag. When he runs out of bags, he carries everything by hand to the dumpster. He throws out all of his books and what was left of his music collection—he kept most of the music he listened to on his computer, which they stole—and piles and piles of paper. He throws out boxes that his electronics came in and thousands of receipts. He told me that he had a filing cabinet filled with all of his old tax forms and papers filled with artwork he drew when he was a kid. He waits until the very end—after he’s thrown out all the old clothes he can’t wear anymore—to throw out that filing cabinet. Then, he climbs the stairs back

Telling Susan About Meeting MichaelMiles Kear

Oklahoma State University, Oklahoma

OK Review Art & Literature

Cade Sadler

Sommer

Photograph

University of North Texas, Texas

Spring 2010, Issue 002 29

Suited Up 3

University of Oklahoma, Oklahoma

Print

Jared Flaming

Spot illustrations for Echo Magazine’s Winter 2009 issue. Works include an illustration for recreational tree climbing, having a multi-racial background, and a set of icons based on different farming systems.

Echo Magazine

Redesign of classic J.R.R. Tolkien books, the goal of the redesign was to step away from the typical fantasy style covers normally associated with his work. I chose a minimal style focusing on more neutral imagery from the stories to give more mood leaving the books open to interpretation.

Tolkien Collection

Various screen printed posters promoting concertsat Lincoln Hall and Schubas

Gig Posters

A series of posters based on some of my favorite songs. Each poster follows a strict set of guidelines to help bring uniformity to the contrasting genres of each band in the series.

Song Posters