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INDEX

ALL DANCE INTERNATIONAL RULES: INTRODUCTION........................................ BASIC REGULATIONS OF ALL DANCE INTERNATIONAL..................................... PREAMBLE............................................................................................................. OFFICIAL DANCE CHAMPIONSHIPS................................................................... 1. ALL DANCE WORLD.................................................................................. 2. ALL DANCE AWARDS................................................................................ 3. ALL DANCE CONTINENTAL....................................................................... 4. ALL DANCE QUALIFIERS:........................................................................... 5. RANKING ALL DANCERS........................................................................... 6. OFFICIAL DANCE AWARDS...................................................................... MEMBERS OF ALL DANCE INTERNATIONAL....................................................... REGULATION......................................................................................................... Art. 1.- KNOWLEDGE OF RULES........................................................................... Art. 2.- MODALITIES IN ALL DANCE INTERNATIONAL CHAMPIONSHIPS........... Art. 3.- DIVISIONS AND SUBDIVISIONS OF THE CHAMPIONSHIP....................... Art. 4.- LEVELS IN ALL DANCE INTERNATIONAL CHAMPIONSHIPS....................Art. 5.- COREOGRAPHIC TIME............................................................................. Art. 6.- REGISTRATION AND LEGALIZATION PROCESS....................................... Art. 7.- PROGRAMMING OF THE CHAMPIONSHIP............................................. Art. 8.- AGENDA AND DAY OF THE CHAMPIONSHIP........................................ Art. 9.- INAUGURATION OF THE CHAMPIONSHIP.............................................. Art. 10.- ALL DANCE INTERNATIONAL RATING METHOD.................................. Art. 11.- MODALITIES AND THEIR TECHNICAL SPECIFICATIONS FOR THE EVALUATION......................................................................................................... Art. 12.- ACROBATIC OR GYMNASTIC ELEMENTS.............................................. Art. 13.- JUDGMENT CRITERIA AND SCORES...................................................... Art. 14.- DISQUALIFICATION, SCORES RANKING AND TIEBRAKERS.................. Art. 15.- AWARD CEREMONY.............................................................................. Art. 16.- RESTRICTIONS..........................................................................................

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ALL DANCE INTERNATIONAL RULES

INTRODUCTION

The Rules of All Dance International is the compilation of the norms and the fundamental regulations that apply to all its official dance championships and competitions. It regulates the organization, the action, the operation and sets the conditions applicable to conduct official dance championships in the world. The All Dance International has two main objectives:

a) All Dance International Rules, as a basic instrument of a normative nature, sets and establishes the fundamental principles and the necessary norms of its dance championships.

b) The Regulations of All Dance International also define the reciprocal rights, duties and obligations of the participants of the championships and their organization.

BASIC REGULATIONS OF ALL DANCE INTERNATIONAL

c) The Universal Dancing Movement includes every person and institution motivated by the values of Dance. It covers all five continents and reaches its highest level in the world’s biggest championship, All Dance World.

d) Cultural and artistic expression is a human right. Therefore, every person has the possibility of dancing, according to the dance principles, which demand ethics, respect, honesty and companionship.

a) All Dance International is a life philosophy. It aims to create a lifestyle based on the satisfaction of effort, the educational value of good example and respect for fundamental universal ethical principles, by associating dance with culture and art. The art of dance exalts and combines in a harmonious whole the qualities of the body, mind and spirit.

b) The goal of All Dance is to always make available the art of dance to the benefit of all people and society as a whole in order to develop a world community committed to the promotion of the Dancing Movement.


PREAMBLE

We are the largest Dance Organization worldwide, with presence in five continents and more than 100 countries. We are the creators and organizers of the official All Dance World Dance Championship in the United States of America and founding members of the Bureau of Industry of The World Dance (BIWD).

We have a 10-year career in the dance industry in the world and are the producers of the official dance championships All Dance Qualifiers (Nationals) in different countries worldwide, which annually classify the finals of: All Dance World and All Dance Continental.

All Dance International integrates all the dance forms in the Official Championships for the development of entrepreneurs, professionals and students of dance worldwide, according to the parameters and rules of the All Dance Rules. Our main goal is the perfection of the integral dancer through a series of official dance championships, designed with the highest standards of quality and reliability. All Dance International selects the best exponents of each nation and the world, awarding them the most important awards of dance. The awards are: Corybants trophies, Great Corybants and Terpsichore medals.

All Dance International is the leading promoter of the dance industry in the world. The result has been impressive and is reflected in the continuous growth of the amount of our members: countries, academies, businessmen, choreographers and dancers.


OFFICIAL DANCE CHAMPIONSHIPS

1. ALL DANCE WORLD:

It is the official world dance championship. It convokes the most outstanding exponents of dance (schools, choreographers and dancers) of each nation, who obtained the classification through the All Dance Qualifiers Championships.The official world titles and awards of dance are awarded In All Dance World.

2. ALL DANCE AWARDS:

Is the exclusive ceremony to reward the excellence of PROFESSIONALS of the dance industry in the world. The Professionals considered are: directors (dance entrepreneurs), choreographers and dancers. Its official headquarters is the ALL DANCE WORLD.

3. ALL DANCE CONTINENTAL:

Is the official championship of dance in each continent: America, Europe, Asia, Oceania and Africa. In each of continent, the best exponents of dance (schools, choreographers and dancers) of their territory, who obtained the classification through the All Dance Qualifiers Championships, participate. All Dance Continental awards the official continental titles and awards of dance.

4. ALL DANCE QUALIFIERS:

Are the only official championships of the dance of national convocation by country. Its main objective is to select the best national exponents (schools, choreographers and dancers) by country to represent their country in the finals, All Dance World and All Dance Continental. This selection is developed in face-to-face championships in each territory or through video audition (when there is no local championship). They will qualify to the finals:

ALL DANCE WORLD: Is awarded to the TOP 3 of the ranking obtained in each modality, division and level.

ALL DANCE CONTINENTAL: It will be awarded to the TOP 10 of the ranking obtained in each modality, division and level of the All Dance Qualifiers or, failing that, according to the range of scores.

NOTE: Passes, prizes and scholarships are not transferable and are valid during the season obtained.


5. RANKING ALL DANCERS

The ALL DANCE INTERNATIONAL ranking will give you the integral positioning within the world of dance, which will allow you to obtain the endorsement of your professional career. Schools, directors, choreographers and dancers for their individual and group achievements in the All Dance International Championships will be registered in the All Dance International ranking:. Choreographies will be positioned at national, continental and world level, according to the modalities allowed in the All Dance International regulations.

NOTE: This will be effective as of the September 2018 reform and will not be retroactive.

Dancers of professional level and choreographers, who are within the top 30 of the national, continental and world dance ranking, may apply and audition to be members of the All Dance International faculty.


6. OFFICIAL DANCE AWARDS

Terpsichore and Corybant are the official accreditations of every dancer in the world, inspired by the beginnings of dance. In the origins of Ancient Greece, Terpsichore (Τερψιχόρη the one who delights with dance), was the inspiring goddess of the art of dance and light poetry.

The Corybants (Κορύβαντες) were dancing warriors who developed educational activities such as the Pyrrhic dance that was linked to the celebration of victory.

GRAND CORYBANT AWARDS

It is the highest award of dance in the world and accredits the winner with the highest honor of the dances of his nation, continent and the world.

The Gran Corybant Awards are subdivided and unified by levels, which are: • Great Corybant Junior• Great Corybant young and adult level student• Great Corybant Professionals

CORYBANT AWARDS

These are the official accreditations to a degree obtained in dance within each edition of All Dance International. They are awarded by rank of scores or places obtained respectively, according to the most updated All Dance International regulations. They are: 1st Corybant, 2nd Corybant, 3rd Corybant.

TERPSICHORE AWARDS

These are the official accreditations of the dance. These prizes are awarded to each member of All Dance International participating in each edition in the form of a medal. Its purpose is to recognize and give merit to each talent and dedication in the art of dance.


MEMBERS OF ALL DANCE INTERNATIONAL

All Dance International is committed to promoting the professionalization of dance in the world. Based on the principles of equity, inclusion and professional growth, All Dance International works hard for the success of every entrepreneur, choreographer and dancer in the world. Each of its members will accept and encourage the principles of All Dance International.

DIRECTORS & FRANCHISED ALL DANCERS

These are entrepreneurs who lead the dance industry in their territory, based on the principles and rules of ALL DANCE INTERNATIONAL. They are also the producers of the official dance championships All Dance Qualifier in their country and have the exclusivity of granting passes to the official dance championship ALL DANCE WORLD and ALL DANCE CONTINENTAL.

SCHOOLS ALLDANCERS & DIRECTORS

Are dance entrepreneurs in continuous growth who practice the principles of All Dance such as respect, responsibility and honesty. They encourage their dancers to integral multidisciplinary development, favoring the development of their dancers and school within the dance industry.

ALLDANCERS JUDGES

Are masters of wide artistic trajectory, selected for their contribution to the development of dance in the world. They have been highly trained under the principles and multi-dance criteria of All Dance International. The judges can be officers or guests.

ALLDANCERS FACULTY

All Dance faculty is our staff of multi-dancistic teachers well known and prestigious worldwide. Those professional dancers and/or choreographers that are part of the world ranking of dance and that excel in their talent and technical level in a successful way in auditions may be part of this faculty. The members of the faculty of All Dance International will be part of the national and international tours.


CHOREOGRAPHERS ALLDANCERS

Are artists of the dance in continuous growth. Their creativity is an exclusive talent that contributes to the multi-dance development in the world, in accordance with the principles of inclusion, equity and respect. They promote the individual and group skills of their dancers for the professional growth of each one of them. Their careers and professionalism are guaranteed by the official dance ranking.

ALLDANCERS

Are integral dancers in constant formation and evolution for their improvement and professional growth. They can be students, or dance professionals and their trajectories are endorsed through the official dance ranking. According to their trajectories, the organization reserves the right to determine a student as a professional.

FANS

Are persons who collaborate directly and indirectly in the development of dance and the professionalism of the integral dancer linked to the principles of ALL DANCE INTERNATIONAL.


REGULATION

In accordance with our principles of dance development and professionalization of schools, companies, choreographers and integral dancers, we have created the regulation of official dance championships in the world. This regulation establishes the rules and conditions of the world, continental and qualifiers championships.

Updated October 1, 2018.


Art 1.- KNOWLEDGE OF RULES

All members of All Dance International (directors, judges, faculty, choreographers, dancers, staff in general and anyone associated with the delegation - parents, legal representatives, etc.) guarantee and are deemed to know and accept the rules and regulations of All Dance International more updated.

Art 2.- MODALITIES IN ALL DANCE INTERNATIONAL CHAMPIONSHIPS

All Dance International includes 14 dance modalities of cultural amplitude and global recognition.

To know more about technical details of footwear and acrobatics restrictions, read art. 11.

BALLET REPERTOIRE OR FRAGMENT: Dance of classic repertoire and ballet technique of companies of worldwide recognition for their high prestige and trajectory.BALLET OF NEW CREATION: Dance of unpublished creations, exclusive on techniques, steps and classical ballet music.NEOCLASSICAL: Dance that uses the language of traditional ballet, must not necessarily be rigid like the latter.LYRICAL: Dance born from the fusion between ballet and jazz. Challenge choreographers and dancers to use movement

to interpret music and emotion.

CONTEMPORARY AND MODERN DANCE: These dances are creations of rupture. It seeks innovation and the creation of new forms of movement, according to the needs of the choreographer or the interpreter. It focuses on the connection with the earthy, the human, the passions, the non-structure and the transgression. It is linked to the concept of the Dionysian.

JAZZ: Dance that accentuates the corporal line and the mobility of the torso. It is a continuous work of fast and precise legs with the feet in parallel. In addition, it tends to exaggerate the movements of certain parts of the body, such as the shoulders. It covers different styles of Jazz, such as: Jazz Broadway, Jazz Funk, Modern Jazz, Contemporary Jazz, etc.

MUSICAL THEATER: It is a form of show that combines music, song, song dialogue and dance. In this modality, instrumental accompaniments and synchronized interludes are integrated into an emotional plot through the projection of the image. Your presentation must have at least three of the characteristics a l r e a d y mentioned.


ARAB DANCES: Dance that originated in the Middle East and was introduced in the West with orientation to the show. These include: routine of baladi, routine with only of derbake (mix of Arab rhythms), with music with Western arrangements and more modern Arab techniques.

SHOW:

Within the Show mode, the staging that meets one or more of the following criteria will be included:

• Fusion of two or more varied techniques.• High visual impact choreography and/or acrobatics.• Dances that are not detailed in the modalities of the All Dance International regulation.

HIP HOP: Dance that is defined as routines of urban styles, developed based on hip hop culture. It includes a wide range of styles: Breaking, Locking, Popping, Krump, Groove, among others, considering the own technique of each of them.

TAP DANCE: It is the dance that frequently uses the syncopation. Choreographies typically begin on the eighth stroke, or between the eighth and first counts. This can be done with any music and follow the blows provided or without musical accompaniment, for example a capella. It can be broadway tap style, fusions, freestyle or hoofer.

SPANISH DANCES: These dances are all dance expressions from Spain. It highlights flamenco, Spanish classic and bolero style.

ETHNIC DANCES: These are dances typical of large geographical areas that coincide with characteristic features of the people who have populated those areas. These dance expressions have been characterized by prevailing in history as a description of the identity of a nation. They are folk dances, African, oriental, Hindu, American, European dances. etc. (does not apply to Bollywood or creations inspired by ethnic and folk dances).

LATINO DANCES: These dances are originated and developed in Latin America. This technique is characterized by its predominant movement of hips to the beat of the body, among which is mentioned salsa, merengue, rumba, bolero, chachachá, samba, among others.


Art 3.- DIVISIONS AND SUBDIVISIONS OF THE CHAMPIONSHIP

All Dance International contest segments characterized by number of participants and ages. 3.1 Divisions:

a. Mini: participants from 4 to 7 years old.b. Children: participants from 8 to 11 years old. c. Youth: participants from 12 to 17 years old. d. Adults: 18 years and older. e. Open Junior: 4 to 11 years old (duo, trio and group). f. Open youth and adults: 12 years and older (duo, trio and group) CAN ONLY COMPETE AT STUDENT LEVEL.g. Open Production: All ages according to the Rules of All Dance International (only level student) allowed in Championships qualifiers and All Dance Continental (it does not applied in All Dance World). You can compete exclusively for best choreography.

NOTE: A participant, whose age is within two divisions in the year of the championships, may compete in any division within the same year. Example: a participant who has turned 8, 12 or 18 years old in the year of championships, may compete in both divisions.

3.2 Subdivisions

a. Solo 1 participant. b. Duet 2 participants.

c. Trio 3 participants. d. Small Group: from 4 to 12 members.e. Big Group: from 13 to 40 Members.

NOTE: The participation of solos, duets and trios will be allowed from the children division and up.

Art 4.- LEVELS IN ALL DANCE INTERNATIONAL CHAMPIONSHIPS

They are divided into two levels: student and professional. STUDENT: They are dancers in training who do not receive professional economic income and/or are represented legally by an institution or director that certifies it.

PROFESSIONAL: Dancers older than 18 years old who meet one or more of the following criterias:

► Be a member in dance companies or professional groups that teach dance classes of the modality registered in the championship.


► Have degrees at professional level whether academic or competitive in specific dance modalities: ballet and neoclassical, jazz and lyrical, contemporary dance, musical theater, Spanish dances, tap, ethnic dances, Latin dances, Arab dance, show, hip-hop.

► Participate and obtain equivalent recognition at a professional level. These recognitions must be presented to All Dance International with documents or videos to obtain validation.

► Have reached a minimum average of 85 points in the modality originally stated as a student level with a participation of two years in the All Dance International Championshipsl.

► The Organization reserves the right to determine a dancer as a professional.

IMPORTANT NOTE: Dancers enrolled in professional level (specific modalities) cannot change the enrollment to a student level.

Art 5.- COREOGRAPHIC TIME:

The time will be taken from the first movement, musical note or scream and will end in the same way.

SOLOISTS, DUETS AND TRIOS: maximum 2:00 minutes. SMALL GROUP: maximum 2:30 minutes. BIG GROUP: maximum 3:00 minutes.minutos.

ADDITIONAL CHOREOGRAPHIC TIME

All Dance International recognizes that choreographic time is part of the structure of many modalities, traditional and classical repertoires. In addition, it understands the creative and expressive needs of artists. Therefore, it will give the possibility of acquiring time.The organization reserves the right to establish additional costs for every 30 extra seconds requested. Verify this information with your local All Dance International director.

MAXIMUM ADDITIONAL TIME

SOLOISTS, DUETS AND TRIANGES: maximum 1:00 additional minute. (Total max 3:00 min)SMALL GROUP: maximum 1:30 additional minute. (Total max 4:00 min)BIG GROUP: maximum 2:00 additional minutes. (Total max 5:00 min)


NOTE: Extra time acquired in each choreography will not be penalized.

TABLE OF DIVISIONS, LEVELS AND TIME PERMITTED FOR SOLOS, DUETS AND TRIOS


TABLE OF DIVISIONS, LEVELS AND TIME PERMITTED FOR SMALL GROUPS AND LARGE GROUPS


Art 6.- REGISTRATION AND LEGALIZATION PROCESS

6.1.- Legal Representative Of The Team

Participants and teams must be legally represented by an institution and /or person of legal age. • Participants under age must have the authorization of their parents, representative, attorney or legal guardian.

• Participants of legal age will participate for their own rights and/or authorization by the institution or team to which they belong. To begin your registration process, you must:

• Have the invitation letter granted by All Dance International.

• Be a member of All Dance International through the world base of dance: Schools, Choreographers, Dancers and Amateurs.

6.1.2.- All Dance Qualifiers: This process will be performed exclusively by the director / legal representative of the competitor, institution or team with the support of their local or national All Dance International representative.

6.1.3.- All Dance International, All Dance Continentales y All Dance World: This process will be performed exclusively by the local or national All Dance International representative (director).

NOTE: If the country did not have a local or national All Dance International representative, the competitors; institution or team may request the registration process to the head office.

Nationality or residence: All participants must be citizens or residents of the country they wish to represent. They must provide proof of their nationality with a copy of their resident identity card, passport or birth certificate.

6.2.- LEGALIZATION: Send via email to the organizer of the Championship and/or Local Director All Dance International within the dates established by the organization. It is required:

1. Complete registration forms.

2. Copy of the total payment voucher.

3. Acceptance and release contract.

4. Any other documentation requested by the organization for the Championship.


REQUIREMENT:

Each participant must be a member of All Dance International through the worldwide base of Schools, Choreographers, and Dancers.

If you do not perform the legalization within the established dates, All Dance International reserves the right not to admit the participation to the Championship or consider it as a violation of the regulations, generating a penalty.

The organization does not return deposits under any circumstances.

Art 7.- PROGRAMMING OF THE CHAMPIONSHIP

BLOCKS OF THE CHAMPIONSHIP:

The blocks of the championship will be in sequence of the order of divisions, modalities and levels according to the All Dance International regulations.

OPEN BLOCK: The organization will unify in OPEN blocks those choreographies that have the same division and the same level, differentiating themselves by being unique in their modality. These choreographies will be graded according to the technique originally registered and will compete with each other for the highest score obtained.

PRELIMINARY PROGRAM:

The organization will send the preliminary

codified program via email to the person responsible for the registration. Likewise, the program must be verified and answered with observations and musical tracks in maximum two days after it has been sent.

NOTE:

• If the musical tracks are not sent on time, the regulation will be considered at fault and will be penalized.• If the observations are not sent, the organization is not responsible for any change or error, and will not accept any subsequent claim.

CONFIRMATION OF LEGALIZATION:

All Dance International will send the entry letter, document that will contain detailed information of their participation and the day of the Championship (areas of the Championship, schedules, souvenirs, penalties, etc.).

If you have not received this letter, you should immediately contact your organizer and /or Local director All Dance International.


Art 8.- AGENDA AND DAY OF THE CHAMPIONSHIP

REGISTRATION OF COMPETITORS:

The registration of competitors will take place on the day and at the time established by the organizer of the Championship. Usually, it is one or two days before. The director or leader of the delegation must present themselves for the verification of the musical tracks of all their choreographies. Also, receive the souvenirs detailed in the entry letter.

NOTE: On registration day, each delegation must have USB support of the songs/mix in MP3 format. Also, have the code assigned by All Dance International. All participants must be supervised and represented during the entire Championship process by an instructor of the institution and/or group director.

ART 9.- INAUGURATION OF THE CHAMPIONSHIP

CHAMPIONSHIP.-

ENTRANCE TO HEADQUARTERS: Each participant must show up two hours before its staging with its respective bracelet. Said bracelet must be worn during the whole process of the Championship, without exceptions.

IMPORTANT: The program can be fast forward or delayed according to the development of the Championship.

NOTE: Participants must arrive with make-up with their respective costumes at their first staging.

9.1 WAITING AREA: Is that area designated for dancers before their entrance to the stage. Participants must show up one hour before their presentations.

9.2 HYDRATION: The organization will provide hydration for the participants.

9.3 AREA OF MAKEUP AND CLOTHING: Zone destined for make-up and change of costumes of the dancers that have MORE THAN ONE staging.

9.4 WARM UP: Directors, choreographers and dancers are responsible for carrying out a warm-up prior to the staging.

9.5 AFTER SCENE: Each participant must show up behind the stage three minutes before his or her presentation.


Otherwise, participant must wait for the end of the competition block to be called back to stage.

9.6 STAGE: The Championship area will be a minimum of 12 meters wide x 10 meters deep and will have entry and exit to the sides. The surface will be appropriate for dance and, in the case of zapateo dances, the stage will have a floor microphone. Confirm specifications of this area with the organizers.

9.7 CHANGES OF EXTRAORDINARY PROGRAMS: For reasons of force majeure, the organization reserves the right to modify the order of participation without prior notice.

9.8 SETTING IN STAGE: The entrance and exit to scene can not exceed more than 10 seconds, with the exception of large groups that will have maximum 15 seconds. Your presentation will be calculated from the first movement or musical sound. If technical failures are verified in the Championship audio, the participants may appear at the end of the corresponding championship block. Otherwise, the staging will maintain its rating. Each staging must have an endorsement of their music tracks during the days of the Championship.

9.9 NO SHOW: NO SHOW is considered to be those performances that did not present their staging.

Art. 10.- ALL DANCE INTERNATIONAL RATING METHOD

JUDGES PANEL

The panel of judges is made up of four different types of judges: judge general supervisor, judge of deduction, judge modality and complementary judge.

GENERAL SUPERVISOR JUDGE

He is the judge who performs the functions of supervision and verification of the scores of other judges through the All Dance International qualification method.

This qualification method has the power to request adjustments to any member of the jury. In addition, it has the ability to correct a poorly founded rating, according to the All Dance International rules and, finally, to replace a judge who is not performing his duties correctly.


The general supervisor is the delegate to verify that the following rules are executed within the All Dance International jury:

1. Prohibited to arrive unpunctual at the date and time agreed with the organization.2. Prohibited the use of cell phones in the area during the trial process.3. The interruption of the program is forbidden by requests of the jury. The supervisory judge is the only one who has the authorization to make brief breaks, if necessary. 4. It is prohibited to leave the jury table without the authorization of the supervising judge.5. Forbidden expressions of euphoria during the course of the Championship.6. The score sheets should not have errors or corrections. 7. The jury must not have contact with the participants before, during and after the Championship, except workshops. 8. The jury will be removed from the panel of judges after having committed disciplinary or functional faults, according to the All Dance International judging method.9. The jury will be removed from the panel of judges to be unable to justify their rating by the parameters set by the All Dance International regulations..

JUDGE OF MODALITY (OVER 60 POINTS)

The modality judge is the expert who qualifies the technique according to the modality, division and level of the participants of the Championship.

COMPLEMENTARY JUDGE (ABOVE 40 POINTS)

The complementary judge is the expert who qualifies the complements according to the modality, division and level of the participants of the Championship.

DEDUCTION JUDGE The judge of deductions is the expert that qualifies the regulatory faults that are determined according to the modality, division and level of the participants of the Championship.

The score will be the average of the result obtained between the judge of modality (over 60 points) and the complementary judge (over 40 points).

To said result will be deducted the points for faults to the All Dance International Regulation (in the case of being penalties in the participation).


ART 11.- MODALITIES AND THEIR TECHNICAL SPECIFICATIONS FOR THE EVALUATION

BALLET REPERTOIRE OR FRAGMENT: The assembly, costumes, period, style, shoes according to the repertoire (tips or shoes), original choreography, choreographic and technical level will be taken into account. Acrobatics or gymnastic elements will not be allowed. Character Dances may participate in this category.

BALLET OF NEW CREATION: Clothing that goes with the theme is to be worn and half pointe or point shoes.

An acrobatic and/or gymnastic element will not be allowed in this category. The dances of character are not included in this category.

NEOCLASSICAL: The dress is simple and comfortable because it must mark the movements of the dancer. You can use pointe or half-pointe shoes and the music may or may not be classical.

An acrobatic and /or gymnastic element will be allowed.

LYRICAL: The movements of the dancers try to show the meaning of the music and rely on the melody and /or lyrics. The costumes help to mark the fluidity and softness that characterizes this style. You can use jazz shoes, half pointe ballet or midsole shoes. The choreography can contain a maximum of three acrobatic

and /or gymnastic elements.

CONTEMPORARY AND MODERN DANCE: ITry to express a concept, a feeling or simply investigate the movement to escape the known. You can use simple costumes without much brightness. Also, it can be done barefoot or with half-sole shoes. The choreography may contain a maximum of two acrobatic and /or gymnastic elements.

JAZZ: Must be jazz shoes, half-sole shoes or jazz tennis, depending on the choreographic style. The choreography can contain a maximum of four acrobatic and/or gymnastic elements.

MUSICAL THEATER: The choreography should consist of at least 40% dance. It should be noted that the tributes to singers and mimics of famous songs will not be considered a musical, unless it is part of a musical repertoire. The shoes or footwear will be according to the dance genre chosen by the choreographer or dancer. The choreography can contain a maximum of three acrobatic and /or gymnastic elements.


TAP DANCE: It can be any style of tap broadway, fusions, freestyle or hoofer. Tap shoes should be used. In addition, pre-recorded sounds in the musical track that simulate the tap or percussion of the dancers are not allowed. The choreography may contain a maximum of two acrobatic and /or gymnastic elements.

SPANISH DANCES: Must wear shoes that are appropiate for this technique. Acrobatics or gymnastic elements will not be allowed within this modality. Likewise, all pre-recorded sound is sanctioned in the musical track that simulates the tap or percussion of the dancers.

ETHNIC DANCES: Clothing and shoes must be in accordance with the original dance and /or region. Acrobatics and gymnastic elements will not be allowed, except that these are original parts of the dance and tradition.

LATINO DANCES: The shoes must be according to the dance. Therefore, ballet and jazz shoes will not be allowed. The choreography can contain a maximum of four acrobatic and /or gymnastic elements. Reggaeton, popular and urban dances are not considered Latin for All Dance International.

ARAB DANCES: No type of footwear will be allowed in this modality. The choreography can contain maximum one acrobatic and / or gymnastic elements.

SHOW: In this modality there will be no limit of acrobatic and/or gymnastic elements. However, it is necessary to take into consideration that it is a dance championship, therefore a minimum of 60% dance content is expected.

HIP HOP: Taking into account the technique of each style, you can combine different hip hop styles within the same choreography. The choreography can contain a maximum of four power moves and acrobatic / gymnastic elements.

Note: At the time of completing your registration form, indicate the specific style (s) that will be staged (one or several within the modality that will be presented on stage).

Examples:• Traditional and modern jazz. • Hip hop: krumping, locking and

popping.• Ethnic dances: cumbia and

mapalé (Colombia).

- If the styles you present belong to two different modalities, you must register as a show.


Art 12.- ACROBATIC OR GYMNASTIC ELEMENTS

Everything that contains elements of gymnastics or contortion (cartwheels, archs, hand stands, back flips, etc.) will be considered as an acrobatic or gymnastic element. Jumps and turns are not considered acrobatics.

Note: No additional points will be awarded for the use of stunts, however these may be used to give more strength or show additional skills. The use or not of the acrobatics will be under the risk of the choreographer and / or dance, the technique and execution will be graded.

The acrobatic elements executed by one or more dancers simultaneously, or the same element executed in canon, will be considered as an exercise.

Different exercises or acrobatics performed simultaneously by several dancers will be graded individually.

Art 13.- JUDGMENT CRITERIA AND SCORES

JUDGE OF MODALITY (OVER 60 POINTS)

1. SPECIFIC TECHNIQUE. - All Dance International divides the SPECIFIC TECHNIQUE into two items: CORRECT MODALITY (from 1 to 5 points) and TECHNIQUE LEVEL (from 1 to 5 points), which added together will give a total of 10 points.

1.1. CORRECT MODALITY: All Dance International will consider as CORRECT MODALITY the staging of the specific technique that was registered. 1.2. TECHNIQUE LEVEL: All Dance International will consider as TECHNIQUE LEVEL the complete artistic process from the beginning of choreography, transition and completion of the choreography on stage. 2. EXECUTION. - All Dance International clasifies the EXECUTION into two items: SYNCHRONIZATION (from 1 to 5 points) and SKILL (from 1 to 5 points), which add to a total of 10 points.

2.1. SYNCHRONIZATION: All Dance International will grade as a choreographic Synchornization the symmetrical, musical or non-musical performance of the dancers in their staging according to the registered modality (does not apply to soloists).

2.2. SKILL: All Dance International will consider a SKILL the skills that each dancer has in the beginning, development and completion of each sequence and / or choreographic element.


3. DIFFICULTY. - All Dance International divides the DIFFICULTY into two items EXTRAORDINARY MOVEMENTS (from 1 to 5 points) and RISK ELEMENTS (from 1 to 5 points), which added together will give a total of 10 points. 3.1. E X T R A O R D I N A R Y MOVEMENTS: All Dance International qualifies in EXTRAORDINARY MOVEMENTS the complexity and authenticity of the steps used in the choreographic routine. 3.2. ELEMENTS OF RISK: All Dance International qualifies in RISK ELEMENTS the steps, figures and implements that give an added value to the choreography with an adequate execution of the technique.

4. MUSICALITY. - All Dance International divides the MUSICALITY into two items: RHYTHM (from 1 to 5 points) and MUSICAL EDITION (from 1 to 5 points), which added will give a total of 10 points.

4.1. RHYTHM: All Dance International qualifies musical ear, repetition and coordination between time-space from one movement to another in perfect musical harmony.

4.2. MUSIC: All Dance International qualifies the MUSICAL EDITION without sudden cuts or musical fusion, at the beginning, during and end of the routine. Quality of sound of the music track. The right selection according to the category.

5. CHOREOGRAPHY. - All Dance International divides CHOREOGRAPHY into two items: CLOTHING (from 1 to 5

points) and COMPLEXITY (from 1 to 5 points), which added together will give a total of 10 points. 5.1. CLOTHING: All Dance International grades CLOTHING according to the modality, the choreography (time, style and relevance) and division of the dancers. 5.2. COMPLEXITY: All Dance International grades the choreographic design from basic to advanced. 6. CREATIVITY AND ENTERTAINMENT. – All Dance International grades CREATIVITY (from 1 to 5 points) AND ENTERTAINMENT (from 1 to 5 points). These will be used exclusively in original and new choreographies.

6.1. CREATIVITY: All Dance International grades the creation of an idea, concept and choreographic structure staged, in addition to the new or the novelty aspect of it in all its expressions. 6.2. ENTERTAINMENT: All Dance International grades the level of ENTERTAINMENT of a choreography and the enjoyment that its interpretation generates.


7. INTELLECTUAL PROPERTY. - The modality judge may deduct points for the following reasons.

• Sequences (steps): 5 points per time.• Choreographic Designs: 10 points for each time.• Partial Choreography Synchrony: 10 points for each time. • Total Choreographic Synchrony: 20 points.

8. REPERTOIRE. - All Dance International grades traditional repertoire and contemporary repertoire.

The traditional repertoire of each modality covers until the 19th century and the contemporary repertoire from the 20th century.

Each repertoire is classified under three items that include:

• Complete adaptation (1-3 points).• Partial adaptation (4-8 points.) • Null adaptation (9-10 points).

A higher grading will be granted to that staging that most faithfully represents the original choreography.

It will only apply to fragment or repertoire in the ballet modality.

COMPLEMENTARY JUDGE (ABOVE 40 POINTS)

1. USE OF STAGE. - All Dance International divides STAGE USE into four items:

SPACE (from 1 to 2.5), TRAINING (from 1 to 2.5), LEVELS (from 1 to 2.5) and TRANSITIONS (from 1 to 2.5), which adds to a total of 10 points. 1.1. SPACE: All Dance International considers SPACE the displacement of the dancers on the stage.

1.2. FORMATIONS: All Dance International grades the dancer’s individual choreographic design and the group design for the figure (not applicable for soloists). 1.3. LEVELS: All Dance International considers LEVELS of the choreographic performance in its entirety in the low, medium and high movements. 1.4. TRANSITIONS: All Dance International grades the way in which the dancer moves on stage with the different changes of formation (does not apply to soloists).

2. IMAGE. - All Dance International divides IMAGE into four items: CREATIVITY (from 1 to 2.5), ACCESSORIES (from 1 to 2.5), MAKEUP (from 1 to 2.5) and VISUAL AESTHETIC (from 1 to 2.5), which added together will give a total of 10 point.


2.1. CREATIVITY: All Dance International grades CREATIVITY based on originality of elements and image, which must be in accordance with the modality and the division of the dancers.

2.2. ACCESSORIES: All Dance International grades the correct use of the ACCESSORIES allowed, such as hats, canes, chairs, musical instruments, among others (easy to move elements). 2.3. MAKEUP: All Dance International grades MAKEUP based on the staged choreography. 2.4. VISUAL AESTHETICS: All Dance International considers VISUAL AESTHETICS as a visual balance as a whole.

3. SCENIC PROJECTION. - All Dance International divides SCENIC PROJECTION into 4 items: GESTUALITY (from 1 to 2.5), AUTHENTICITY OF THE CHARACTER (from 1 to 2.5), INTENSITY OF MOVEMENT (from 1 to 2.5) and INTERPRETATION (from 1 to 2.5), all of which add to a total of 10 points.

3.1. GESTUALITY: All Dance International grades GESTUALITY and facial expression. 3.2. AUTHENTICITY OF THE CHARACTER: All Dance International grades the personification and originality of the dancer or group in the diverse choreographic concepts.

3.3. FORCE OF MOVEMENTS: All Dance International grades the intensity and energy of the dancer or group

used in the choreography. 3.4. INTERPRETATION: All Dance International grades the expression of emotions, feelings and delivery in its staging. 4. PUBLIC RESPONSE. - All Dance International grades AUDIENCE RESPONSE and divides it into two items: AUDIENCE ACCEPTANCE (from 1 to 2.5) and CRITERION OF THE JUDGE (from 1 to 2.5), both of which add to a total of 5 points. 4.1. AUDIENCE ACCEPTANCE. - All Dance International grades the respectful and appropriate response of the audience. 4.2. CRITERION OF THE JUDGE. - All Dance International grades according to the judge’s decision.


JUDGE DEDUCTIONS

CHOREOGRAPHIC SPECIFICATIONS - DEDUCTIONS

All Dance International seeks that the show on stage highlights the dance performace through elements such as technique, expression, creativity and respect for art, artists and the public.

All Dance International remarks the important characteristics for performaces and establishes penalties for not complying with the specifications set for the Championship.

1. WRONG MODALITY (-10) All Dance International takes points from the dancer or group that performs a different technique to which they signed up. 2. WRONG DIVISION (-10) All Dance International takes points from the dancer or group that enrolls in a division not according to their age or number of dancers. 3. WRONG LEVEL (-15) All Dance International takes points from the dancer or group that enrolls at the wrong level. For example, a professional dancer who registeres in a student level. All Dance International reserves the right to receive proof of the dancer’s level up to five (5) minutes after the performance. 4. LATE ARRIVAL TO STAGE (-5) All Dance International takes points from the dancer or group that arrives late ater the time set for the performace.

All participants must always show up two hours before in the dressing room, in case the program development is earlier than expected.

5. FALSE ROUTINE START (-2) All Dance International takes points from the dancer or group that performs some wrong or unjustified premature movement, whether or not the repetition of the routine is requested.

6. PROHIBITED ELEMENTS (-5) All Dance International takes points from the dancer or group that uses elements that put at risk the choreography, the surface of the stage or the safety of the participants. For example: paints, powders, liquids, fire, talcs, stones, helium bombs without weights, short sharp implements, firearms (real or fictitious), among others.

Note: Consult with the organization about forbidden elements.

7. EXCESSIVE USE OF ACROBATIC AND / OR GYMNASTIC ELEMENTS (-1 POINT EVERY TIME) All Dance International takes points away for the excessive use of acrobatic and/or gymnastic elements,


according to the modality. These elements are exercises of gymnastics, acrobats or contortion (individual or group).

The acrobatic elements executed in group or by one or more dancers simultaneously, or the same element executed in canon, will be considered as a one single exercise.

8. MAKE-UP, BODY PAINT, INAPPROPRIATE, OBSCENE OR OFFENSIVE CLOTHING (-2) All Dance International takes points for the use of make-up, clothing or footwear that is not in accordance with the modality, division and level registered. In addition, points are taken away for putting the dancer and the other participants at risk during the use of the stage.

For example: feathers, elements of easy detachment of the wardrobe, among others..

Caring for aesthetics according to age.

See Art. 11 MODALITIES AND THEIR TECHNICAL SPECIFICATIONS FOR THE EVALUATION

In group choreography, makeup, costumes or footwear will be counted as a single element. However, in case some dancers do not have the appropriate shoes, these will be counted individually.

1. The use of accessories (earrings, bracelets, necklaces) is allowed as part of the costumes.

2. The use of masks is allowed as long as their use supports the performace.

9. BAD EXECUTED ELEMENTS (-1 PER EVERY TIME) All Dance International takes points away form the dancer or dancers who mishandle high-impact movements or technique elements of highl complexity:

• Technique performance of pointe and/or knees.• Technique exercises poorly executed.• Acrobatics, gymnastic elements and

poorly executed figures.

Note: Consecutive exercises, without interruptions by other elements, will be considered as a single element. For example: fouette.

10. TRIPS OR FALLS (-0.5 a -1) All Dance International takes points away from the dancer or dancers who trip or fall during the execution of their choreographies.

• Trips: 0.5 points (landslides or recoverable failures). • Falls: 1 point (landslides or failures not recoverable). For example: in case of classical ballet, fall off the pointe.


11. 11. THROWING ELEMENTS TO THE PUBLIC (-3 PER EVERY TIME) All Dance International takes point from the dancer or group that throws items such as liquid, accessories, costumes or any object to the public.

Note: If thrown to the front of the stage and accidentally dropped, it will be counted as an infraction according to the All Dance International Regulations. Each element will be counted individually.

12. INAPPROPRIATE MUSICAL LANGUAGE (-2 PER EVERY TIME) All Dance International sanctions choreographies that present musical tracks with content of offensive words, messages of violence or discrimination. Note: Each time the word is repeated, it will be counted individually.If you have questions about the content of the music track, you can send it to your local All Dance International representative, who will review and inform you if it is suitable for the championship.

13. INAPPROPRIATE MOVEMENT (-2 PER EVERY TIME) All Dance International deduces any inappropriate, insulting, vulgar or obscene movement that is not suitable for all audiences (family audiences). For example: twerking, suggestive or provocative movements, obscene or sexual innuendo.

14. ACCIDENTS OR FALLS OF THE CLOTHING (-0.5 PER EVERY TIME) All Dance International takes point for

accidents or falls of accessories or implement parts of costumes. 15. DISARGED CLOTHING (-0.5 PER EVERY TIME) All Dance International takes points for all unkempt costumes (loose laces, visible underwear, among others). 16. I N A P P R O P R I A T E CHOREOGRAPHY FOR THE DIVISION (-15) All Dance International sanctions the choreography that does not go according to the age, both in story and in performance projection.

17. ALTISONANCE AT THE START OR END OF ROUTINE (-5) All Dance International takes points from the dancer or dancers who perform expressions of euphoria or shouting at the beginning or end of their routine, without being part of it (the name of the school, crew or group).

18. LEAVE ELEMENTS ON SCENE (-1 PER EACH ELEMENT) All Dance International takes points away for leaving elements, parts of the costume or objects on stage.


19. USE OF SCENOGRAPHY (-10) All Dance International does not allow the implementation of scenery in the championship area. However, it accepts elements of easy and fast mobility by the participants (not staff). In addition, said elements must contribute a minimum of 20% to the performance. Request approval with the organization. 20. CHEERING GROUPS THAT OBSTRUCT JUDGING PROCESS (-2 PER EVERY TIME) All Dance International takes points from the choreography if cheering groups do not have a respectful and adequate response. 21. LEAVING THE STAGE (-2 PER EVERY TIME) All Dance International takes point for getting off or jumping off the stage during or at the end of the performance. In case of group presentations, the deduction of points will be for each dancer. Note: Exiting or going down the sides will not give any kind of penalty. 22. ROUTINE TIME (- 3 FOR EVERY 5 SECONDS) All Dance International takes points from the dancer or group that exceeds the time of its performance. Note: For groups requesting additional time, they will be graded based on this one.

23. INTELLECTUAL PROPERTY The mode judge may take away points

for the following reasons:

• Sequences 5 FOR EVERY TIME• Choreographic designs 10 FOR

EVERY TIME.• Partial Copied Choreography

(Plagiarism) 10 PER EVERY TIME.• Total Copied Choreography (Plagiarism)

30 points.

24. FAILURE TO REGULATE (-5 PER EVERY TIME IN ALL REGISTERED CHOREOGRAPHIES) All Dance International takes points from the team or group every time it infringes any of the All Dance International Regulations even if these are not described in the aforementioned deduction criteria.

ART 14.- DISQUALIFICATION, SCORES RANKING AND TIEBRAKERS

DISQUALIFICATION: The organization will disqualify participant choreography that is not in the dressing rooms at the moment of its call to go on stage, according to the order of the program.

They can show up at the time of their arrival and their scores for the ranking and championship awards will not be taken into account.


EXCEPTION IN EXTRAORDINARY CASES: For exclusive reasons (change of costumes, make-up, etc.), All Dance International will make an exception to the dancer or dancers who have a close performances (maximum of three choreographies). The organization will grant six extra minutes in case of solos, duets and trios and 12 extra minutes for groups. Likewise, the organization reserves the right to reprogram the presentation of performances on stage.

Note: In spite of the extra time provided, the dancer or dancers who are not ready to be called to go on stage, will be penalized as LATE ARRIVAL AT SCENARIO (Art. 13 Specifications - Deductions).

RANKING

SThe winner is selected according to the All Dance International ranking and punctuation standards (1st, 2nd and 3rd Corybant). Therefore, it is necessary to achieve a minimum of points to be Champion All Dance International and, in such a way, maintain the awarding structure (from higher to lower).

► 1st Corybant 70 - 100 points. ► 2nd Corybant 55 - 69.9 points. ► 3rd Corybant 35 - 54.9 points.

Note: If you have a no show in your championship block and/or do not have enough competitors (more than three per block), the winner is determined according to the previously mentioned ranking scale.

Note: In case two or three scores qualify within the same range, the highest score will be awarded first place and the rest will be classified in consecutive order respectively.

TIEBREAKER

In case of a tie in a championship block, the tiebreaker will be defined by a highest number of points in a specific modality. In case of having the same score in a modality, the scores will be considered in the following order: technical level, dexterity or complexity.

Art 15.- AWARD CEREMONY

The Corybants awards ceremony takes place at the end of each championship. The most outstanding choreographies are awarded with 1st Corybant, 2nd Corybant and 3rd Corybant.


ALLDANCERS MENTIONS

Are titles and special awards that All Dance International awards to the most outstanding participants of the official championships. These are: Grand Corybant Awards, Trajectory, Best Director, Best Choreographer, Best Choreography, Best dancer, Best dancer and Revelation Award.

GRAND CORYBANT AWARDS

Is the highest award of dance in the World and accredits the winner with the highest honor of the dances of his nation, continent and the world. The Grand Corybant Awards are subdivided and classified by levels. They are:

► Grand Corybant Junior (for mini divisions, children and open junior)

► Grand Corybant Juniors and Adults level student (for young, adult and open youth and adult level student divisions)

► Grand Corybant Professionals (adults professional level)

All dance schools can be nominated through the official form.

Requirements:

Grand Corybant Junior: Must postulate at least five group choreographies, in minimum three different modalities within the minis, children and open junior

divisions.

Grand Corybant Youth and Adult: Must submit at least five group choreographies, in minimum three different modalities within the young, adult and open youth and adult level student divisions.

Grand Professional Corybant: Must apply for at least five group choreographies, in minimum three different modalities within the professional level adult divisions.

Restrictions: Postulations for single divisions, duos and trios may not be submitted.

The school must obtain a minimum average of 75 points to qualify for this award.

THE TRAJECTORY

This award is dedicated to participating schools in official All Dance International Dance Championships.

Requirements:

Must register through the official form, detailing the awards obtained per year and per Championship (since the reform of the 2017 regulations).


Note: The prizes obtained in the current championship will be considered.

REVELATION

This award is given to schools that participate for the first time in the official ALL DANCE QUALIFIERS Championships. They also must obtain the highest number of trophies of first place for their performances.

Requirements:

Must participate at least 10 performances and have won at least 50% of them.In case of a tie, the total of their winning choreography scores will be taken into consideration, not the trophies obtained.

BEST DIRECTOR

This award is given in recognition of leadership excellence in directing the most performances. Additionally, the highest number of prizes (first, second and third place) of the particular championship must be obtained.In case of a tie, the winner will be defined according to the best percentage of prizes of the tied schools.In case of another tie, the winner will be defined according to the highest number of first places.

BEST CHOREOGRAPHER

This award is dedicated exclusively to the most outstanding choreographer for his ability to create and direct the most performances.

Restrictions:

The choreographer who has obtained the highest number of prizes (first, second and third place) of the current championship will be awarded the prize.

In case of a tie, the winner will be defined according to the best percentage of prizes of the tied choreographers.In case of another tie, the winner will be defined according to the highest number of first places.

BEST CHOREOGRAPHY

This award is given to the most outstanding group choreography of the entire Championship. It is awarded to the maximum score achieved among all the group choreographies participating in the All Dance International Championship, both at the student and professional level.


Restrictions:

In case of a tie, the scores will be added to obtain an average score per modality.

The same choreography will not be able to obtain this award in the next two years.

In the consecutive year, said prize may be awarded in a Continental or World Championship.

BEST FEMALE AND MALE DANCERS

This special award is given exclusively to the best female dancer and best male dancer of the Championship at the student and professional level, in addition to obtaining the maximum scores in their registered choreographies.

• Student Level Best Female Dancer and Best Male Dancer (Children Division)

• Student Level Best Female Dancer and Best Male Dancer (Division youth and adults)

• Professional Level Best Female Dancer and Best Male Dancer (Adult Division)

All dancers can apply through the official form.

Requirements:

• Best Female Dancer and Best Male Dancer children: Must participate in at least three choreographies in different modalities. One choreography must be a solo, and in addition a duo, trio or group choreography.

• Best Female Dancer and Best Male Dancer junior and adult: They must participate in at least three choreographies in different modalities. One of the choreographies must be a solo and in addition a duo, trio or group choreography.

• Best Female Dancer and Best Male Professional Dancer: Must participate in at least three choreographies in different modalities. One of the choreographies must be a solo and in addition a duo, trio or group choreography.

Restrictions:

Minimum average: 75 points. Otherwise, the Best Dancer award will not be awarded.

The same choreography will not be able to obtain this award in the next two years.

In the consecutive year, said prize may be awarded in a Continental or World Championship.


Art 16.- RESTRICTIONS

1. The registration of one dancer in more than one choreographies which have the same or similar characteristics of participation is not permitted (dancer must not compete against him or herself). Similarly, you can not participate in more than five choreographies within the same Championship.

2. The directors, choreographers and participants are forbidden to have contact with the judging panel during the development of the championship, except in the final awards and workshops. 3. It is not permitted for principals or any member of a school to access the stage before, during or after the participating choreography, they can exclusively do it at the time of their call for the award ceremony.

4. Filming or photographs with professional cameras during the development of the Championship is prohibited.


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