WordPress.com...idgam ve ihfa ve Gunne I, 2, 3 veya 4 2 veya 4 elif 4 elif uzatmak Kalm okunmayan Bir elif uzat1f1r .;; harfler yerleri elif uzatmak caiz uzatmak viicib vi\cib

t

Example

h a - +----+---_j

kh ----- ~ yaskharu U - +--- ---l-------' . . . g gayn 1-+---+----~

z f:alika " a - +--- -+--'

Q mag<Joubi ou ~--4---~

~

t

z th ....__..

q wa

sh '--"

'aw

~~ff ~irata

~~ff ~irata

~ 'a~eem

)} kawfuar /

Jtj qala

JtjJ waqala

i:;.f 'affiaddu

~J-o mu'mineen

'awla All Rights Reserved Dar-Al-Maarifah

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ISBN 978-9933-9002-0-5

2012

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Sample dentonstrates so1ne coded Tajweed rules Only by three main colors: RED(co/or graduation) for the positions to be prolonged,

GREEN for the nasal (ghunnah),BL U£ for th e description of sound arli cul ation ,( Gray is not Pronounced)

While reciting, 28 rules are immediately applied without memorizing these rules. If you want to memorize them, they are explained at the end of this Qur'an.

Dear Reader of The Qur'an In order to concentrate on the meaning, you are recommended to stop at the spaces between some words, you should non-vocalize the last letter of the word (where the vowel is blocked in a small square). But if you don't want to stop, please neglect the square and the rule pertaining to this stop.

The Emphatic of the letters (.b•J•..b•t ·~•(..)o"l•t) maximize with (Fatha) followed by letter (Alit), and minimize with (Kasra).

IDENTIFICATION OF THIS NOBLE QUR:AN With Allah's aid and after several years of assiduous labor, the publishing

of this Noble Qur'an has been fulfilled in order to guide reciters how to in­tone it according to I;Iaf~ 's narration from ~~im, from 'ufuman, from 1\lee 'Ibn 'Abee Talib, Zayd 'Ibn Thabit and 'Ubay 'Ibn Ka'b from MuJ:tammad's recitation.

The following is the pattem employed: -The dark red colour e : Indicates necessary prolongation, six vowels each of which is about half a second. ,_, .,.......,..,.. _....,.......

Example: .:;J \ _ ~ ~ -The blood red colour e : Indicates obligatory prolongation, five vowels: it comprises nonstop prolongation, separate and major link .

............. ~, .,.,.... / ........ ~~ ....... -.......... ,.~

Example: .,~1 y :,:U \.. _ li:~ _ ~W I -The orange red coloure : Indicates permissible prolongation, two or four or six vowels. It pertains to vowelless consonants and soft prolongation.

-:.. / ..'.- ...,. .... ?"0: ""..11> /

_ Example: w ~- 0_;l_,.DJ- ~-'J "::1 I_ ~ -The cumin red colour e: Indicates certain cases or normal prolong­ation, it belongs to what scribes left in the Ottoman copy of the Holy Quran and it takes two vowels duration .

..... .,.,. ~.,...~..,.... .... ..,..., ..... .,..... ,... Example: ~~b- .:..~-~.J..,..a;_,Al--;?~

- The green colour e : Indicates nasalization which is the sound that comes out of the nose; it continues as long as two vowels. It comprises: N~salized contraction(ldghambighunnah): ,. .. _ , \· .:i_~~\~-~~ Disappearance (Ikhfa'a): lr.:>J:! \::.....k. _ ...:...:.1 Inversion (Iglab) : \ ...... r; ~ ......-- "";: .~ r _, -;;; ... __ ,\:......:::..-~ - ...... -Stressed-N-and -M-: ( - .)~ '"'---::::-: -- . <..J" -

N.B: nasalization is always recommended if it is in a separate word; but if it is connected with what comes before or after, it is recom­mended only when there is non-stop. -The gray colour e : indicates what is unannounced a. what is never pronounced: • ~ .. • -:z ..

1. The assimilated "L": __,....u 1 - ~I .. • ., _,. ';JI'.... 0 ...... t> ,.,., ... , ;?:::

2. The mcompatible: > 1_,-c-~ - ... <Slit - I_;:> J! - .b~_j

3. The (ali f) of discrimination: ~~ ....... . _,. -~ 4. The conjunctive hamza within a word: ·.: ' 1 ~!_, 5. The position of the omitted alef: _ _ _ ~4 '~ 6. Inversion within a word : I-~ r.t

b. Unpronounced contracted and inversed letters: \· ~,..-,-:...- 1-:- :< ......

1. Contracted (n). (nunnation) = . -i. · ~ ...14:::- -~0"' _,. ...... r 2. The (n) which is inverted into (m): ~0! ~

3. The letter which is relatedly contracted: ...... .Jo ~La 4. The letter which is approximately contracted: .;,_;ji

-The dark blue colour e: indicates the emphatic pronunciation :

~Si -c:t;.~ -The blue coloure : indicates the unrest letters - echoing sound on:(.)'<:'":"''.l.'d)(qualquala)Ex: G) J.2L~~- j,~l}

55

'-'~~\_, n .:ff4J~--· • ?.r.J - :;Ill r

J~~~~~;J~~ .,

\6__,~\~;J~~ ~

~t::;.;_tti~;J~~ ~ ~\ ~.'A - 1!.1\ .., ~~-;J':I.l.IJ . ~ ~'!.._,.,..., .YY.J....r _ _ u C:.J

~'~t.;:.l~~~ji.:.~~.: ;.,:.{,I~IJ_,~IJ...;~~~~-Y~J~~~~ <J"

.. .\ ... :X'1.::J.1 -~ 1 •\;._;J~~ - 'J- r.v....r_ -

..j,)lj~~J;\J-;:)1~~ ~ - ;. be

J.;.;llj~~ ~.:.;;lltt ~ &

~~~_;~;t~~~~JG~~- f. .· . .f. ~fl'r~:,.jJ.(I;;~_:,~;J~~ •

j.;:)I~.J_;.C!~~~_j~~-;t~ o

~ Q) (:!,:c.;; _,p\.Y~4'~\. ~~~;.~;J-:1~ t To ind icate when shou ld prostrate.

~~..)~~L;:..:.l;...,..~.:~n; .. ~~~~~~J.'-~~~ • To indicate: beg inning, half and quarter of each Part and Hezb.

~_:;;~'11~~~~':1~ 0 To indicate the verse end, and its number.

~I ~1;; ~~':~~ 0 To ind icate meaning relat ionship.

~9~1 [Jl.$ ~ ..... : ,;.,~ ("J-W) An illustration shows the phonation of the letters used in transliteration

Short Vowels Long Vowels

a = ~ (4..:....i..9)

U=!_(~) i =-;: (o~)

a= 1 ou = 9 ee = ~

'ay = 15l wa = 9 ya = 4 'aw = 9i

~E!· .... qJI ~I Ui.lill •

~· ~'J · iJl:S.?' fi . ~l::f_?o,l.o . 1_j~') ') T .~.o e o.:A>.f'" o Jt t ...-.IJ~ . 'L. ..J .:.IS> '\ .lA • ~I

Unrest leiters Emphalic Unannounced Nazalization Nonnal prolongation Permissible prolongation Obligatory prolongation Necessary p-olongation

pronunciation (silent) (ghunnah) 2vowels 2 vowels 2,4,6 vowels 4 or 5 vowels 6 vowels ~~~!

(F.choing Sound)

Consonnes Non Nasalisation Prolongation nonnale Prolongation pennise Prolongation obligatoire Prolongation necessaire Em phase

prononcees de 2,4 ou 6 voyelles de 4 ou 5 voyelles de6 voyelles ...-"A

Emphatiques (ghunnah) de 2voyelles de 2 voyelles

HE TOBOP~Tb B AOnrOTA non roTA AOnrOTA 3M<I>A~~ECKI1E 3BOHKI1H HOCAOflTOTA AonroTA DPOH3HOIJJEHHR 2 DPOH3HOIJJEHHR DPOH3HOIJJEHHR

83Pb!BHOH flPOH3-

flP0~3HOWEHHll flP0~3HOWEH~ll HnH 4 HnH 6 4 HnH 5 3BYKOB v-.o

COrDACHbiE HOCHTCll 6 3BYKOB HEOSXOAHMO 23BYKA 2 3BYKA 3BYKOB 803MOlKHO OSR3ATEnbHO

Un 'Ijfa' con Prolongaci6n Prolongaci6n Prolongaci6n Prolongaci6n Qalqala fuerte silencio Ghunnah

normal permit ida obligatoria necesaria .;t,..! 2 movimientos 2, 4, 6 movimientos 4-5 movimientos 6 movimientos

unruhender hervorhebende Es wird nicht 2 Vokale niiselnde 2,4, oder 6 vokale 4 oder 5 Vokale lang- 6 Vokale lang2iehen ,

Buchstabe Aussprache

Aussprache 2 Vokale langziehen .;ut (Echo Klang) ausgesprochen (dwth die Nase S(l'eChen) lang2iehen,zuliissig ziehen , obligatorisch erforderlich

~ ~~ C.JJI(~JI ~J'y.;JilPf ...,JIJt.J.Y'Jr JiJI.).Y'7~b l'"_r JIJ(.);t)rO~I" JIJ(.);r7'1 J,) JilL:'J:li (~_r) ... ()'.;pi ~IJ,-'o (JIJ,-'o

(lhl ~ .. w-1 ...:-1/ JJ

~N ,.llb r#' );l-_#J ..:-1/» 4,b~T ......Y·~t__.l, .... 4, ()~N ll"')i

Kalkale idgam ve ihfa ve Gunne I, 2, 3 veya 4 2 veya 4 elif 4 elif uzatmak Kalm okunmayan Bir elif uzat1f1r .;;

harfler yerleri elif uzatmak caiz uzatmak viicib vi\cib

dibuca TIDAK MENDENGUNG MAD BOUill MEMIUH MAD PANJANONY A MADPANJANGNYA ._....,;_,..;! Qalqalah DIBACA (DUAHARAKAT)

MAD 2 HARAKAT M!TfoJU.2/4/6 4-5 I tebal HARAKAT HARAKAT(WAJIB) 6 HARAKAT (LA71M) ,j:llo

-~iT :l:~"tfl'!" #~,if'~ J.i,~~

El~tfLKPJlffl liJ~tflifPJlffl~

Jlil~tfl*l!!l~liffl !IZ·~t!L*I'\ffl .:r ifaeJ!¥i!J. (jJliffj) l!!lta~l'\ffl

j_,l..tJ J c.b J>:- - <i.:.J_,.....ll 4..rJI <i.:.J~I L) rWI ~\.::.!)'1 o )~1 - j\j _,\II o )jJ wl_,... ..::...> yl .. .p _,

~1_, ...ti (:A~)'\ o)jJ c.....j[5"'_,, r 'I' •• t./o..J\ '\ ~)3 (\ o/t.)\ 10.. ~..r. ~_rll ~I \..JJ. J'..~J r WI ~I ..... ,.A:S.. <..,-->.-_r . .:)J ~ J r ' o.. o.. t/ o.. I , t. ~)3 \AO..o'l' ~..r. -4~\ ~ JJI.lJJ ~ J>:-"o... ~..r. J-=-114 ~ (..)"'~' ~J r, o..o.. t./t/n ~)3,, r-o.. ~.) r~)'' o)jJ y\£.1 ~,_,.,.

-r 'o.. o.. t.h/'1' A ~.)l; 4-.;All ~)~\ ~ ~WI ~I - ~..UI ...,..tJ.1.oll_, ~WI ~\.:;!~1 o Jl.)j - J\i _,'JI o Jl)J ~~_,.. ..;..., J..L.p ~.1) J

(' "It)' ,. A ~f. ~l_,ll ..!.U.lS"'-' (~lyl) ~y.s.::ll ~ Js- ,. •• vI' ,. I' ,. ~)\j ' "It It t ,. ~f. ~)_,....II .~1 ~'JI..;.,\A.UI Jl ~y:dl ~(Transliteration)~~ U..y:ll Y • •A/tiY ~J\J

~I :u...,....a...J ...!l..J..l$" ~I_,, J:,.Ld:-1 ~I I .h. ~ ili L;?..UI J--:>-~ JP ..ill Lo. .T-...u; a.; _,..11 ) ~ c.? .;:4) ...l..$- ~)I ~ J- .._,b _,.,)I 0l.,a... .J ~ ~ : c;_;lS ...U\ c;...i;L.. ">UJ , '-?~ _?:.11 ...:.r-...UI ../~I :u...,....a...J J ~\.J ("-!._;;5

.. L,..~ ~--' ~p ~--' j--JI ~,) ..:r.JJI, ~)I ~- .J_,.t__,All ~I.J..;&-

~ .JJ J--ll 1_,.-S.J~ ..:r...Lll </ -y.__. 'j I f WI ~__,::.-..... ~ J---..." U )'I .. l.:h-LJ ~I <_;.A ._,......1 U-1 ~ 1_,

.. ~ ~.}" .JT~I J;.JJ ~ JL.u .tltl Lr. _,...i 1.:5 ("-!..?JI .JT~I OJ~ ~ '~

!l.J~I J--11 lh j~l J ~}!_, ,.,pU.I ~.J ~JW .tu, o~ 4f.J .JS dJ~ J--=..i 4r~\ll~!_,

' i')L.JI ~jtJ o':>\....a..ll ~f ~~!/~I ..r.JI , ~~ ~ ~i ~ i')L.JI_, o':>\....a..ll_,

0~ iY- Jl 0l_,AJI l$-lA> "I ~ :..r ~.J '.)~~~ ~-' .uf ~-' ~_l- ~~1..)1..3

57